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HIDDEN ARCHIVE: Back To Normal With Eddie Monsoon - page 1 |
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"BACK TO NORMAL WITH EDDIE MONSOON" |
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A STUDIO LOUNGE SET with leather armchairs, tatty sofa,
a coffee table littered with empty bottles and full
ashtrays. A cocktail bar is on the right, complete
with microwave oven. On the back wall there is a door
leading to a hallway. On the left there is a drinks
cabinet and a picture display. The lounge is full of
gaudy colours (wallpaper) and plastic palms. |
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EDDIE MONSOON, completely pissed, is strapped in a
wheelchair in the centre of the room. |
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EDDIE: |
Good evening you bastards. I'm
Eddie Monsoon and this is my
television show. |
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Holds up a whisky bottle |
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This is my bottle of whisky. These
are my cigarettes and these are my
so-called friends. |
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CUT TO: |
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DOUG and LIONEL PRESCOTT by the drinks cabinet.
EDDIE continues in the background -- |
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'my matches, my' ... etc. |
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LIONEL: |
Evening, viewers. How you doing? |
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Raises a glass of sherry. |
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I'm Lionel Prescott and this is my
brother Douglas Prescott. |
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DOUG: |
Hello. |
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LIONEL: |
Sherry Doug? |
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DOUG: |
Don't mind if I do, Lionel. |
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BACK TO EDDIE |
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EDDIE: |
My hobbies are: drinking, smoking, swearing,
and grouse shooting. I am not a cripple
and I don't believe in self control. I
hate: soft drinks, racing drivers, so-called
lasting friendships, everyone who lives
on the Isle of Wight, last orders, blind
people and stupid hard faced cows who say
they'll do it and then don't, even when
they're pissed. |
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CUT TO:
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VAG and CLITTY, standing by the cocktail bar. VAG
knocks over a sherry bottle. |
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VAG: |
Hello I'm Vag |
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CLITTY: |
And I'm Clitty. |
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EDDIE: (VO) |
Slags. |
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CLITTY: |
I want to talk to you... about alcoholism. |
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EDDIE: (VO) |
Keep your legs crossed you dirty cow. |
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VAG: |
And I'm going to show you what alcoholics
like to eat. |
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EDDIE: (VO) |
Puss, puss, puss. |
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CLITTY: |
There are two kinds of alcoholics. Those
that can't get enough to drink and those that
can. If you're lucky enough to be in the
second category you'll soon come across a
problem that we all have to deal with sooner
or later. Unconsciousness. This can slow
down your drinking. If you want to drink
yourself to death, here is a helpful tip. |
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She produces a sewing needle. |
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This is an ordinary sewing needle. When
you feel unconsciousness coming on, just ram
it up under your fingernail, with a short
jabbing motion. |
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VAG pours out a sherry. |
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VAG: |
Thanks Clitty. I expect you're wondering
what do alcoholics eat? Naturally most of
us would rather drink than eat, and to save
valuable drinking time, many off-licences
are now selling food. These are called
supermarkets, and they carry a wide range of
very fast foods. My favourite is instant
smash. |
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Holds up packet. |
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Just take one mouthful... and wash it down
with a large weak scotch. |
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She demonstrates this. |
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Ummm...delicious. And for the sweet, I
suggest a couple of valium washed down with
a large weak gin, will set you right for the
evening. |
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CLITTY: |
And if you're not drinking alone? |
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VAG: |
Well for those special drinking occasions
like your daughter's wedding, drown a nice
plump turkey |
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Produces live turkey
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VAG: |
...in a pool of sherry. |
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Pours sherry over the turkey. |
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Then pop it in the microwave. (she does) |
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CLITTY: |
Ummm, that looks delicious Vag. I think
we both deserve a large scotch. |
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There is a loud crash |
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CUT TO |
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EDDIE has fallen over and is foaming at the mouth. |
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EDDIE: |
Give me some scotch you bastards. |
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He tries to bite his way through the ropes. |
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CUT TO |
DOUG and LIONEL with backs to camera studying two
posters on the wall |
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LIONEL: |
Outstanding |
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DOUG: |
A masterpiece. |
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LIONEL: |
A modern statement I should think. |
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DOUG: |
I agree it's the latest thing. |
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They turn and see the camera with mock surprise. |
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DOUG: |
Oh hello. |
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LIONEL: |
Hello again. Isn't modern art interesting.
Here you have two modern painters. Both
homosexuals. On the right we have a picture by
America's Mr. Andy Warhol, and on the left
another picture by our own Mr, David Hockney. |
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DOUG: |
Very nice. |
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LIONEL: |
Now if you look closely, you will notice
that the Hockney is approximately a third
of the size of the Warhol. But this one... |
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He points at the Hockney |
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costs more than this one. Now why is that? |
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DOUG: |
(Looks closely at the pictures)
Well er... maybe it's because Hockney has --
er -- you know, a richer colour sense, a
more delicate line and -- er -- more palm trees.
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LIONEL: |
That's exactly right Doug. Now this is
where it gets interesting. You see Warhol
wasn't slow to catch on. He soon tumbled
to Hockney's game. It seemed like overnight,
the wily Britisher had cornered the palm tree market |
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DOUG: |
So Hockney had him by the balls. |
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LIONEL: |
Briefly, yes. But Warhol wasn't done yet.
He immediately set about making his pictures
not only bigger but cheaper than Hockney's. |
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DOUG: |
How could he do that? |
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LIONEL: |
Mass production. By setting up an underground
factory and reproducing his own pictures on
the side, thereby undercutting Hockney. |
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DOUG: |
What a clever bastard. |
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LIONEL: |
Naturally, it wasn't long before Hockney
tumbled his game and soon after that Warhol was found shot. |
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DOUG: |
Surprise, surprise. |
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CLITTY appears behind DOUG and LIONEL with a roll-up screen. |
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LIONEL: |
Alright Darling. |
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He winks at camera. DOUG winks too. |
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CLITTY: |
Eddie wants to show his slides. |
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DOUG: |
Oh, let me give you a hand. |
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They set up the screen. |
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LIONEL: |
Fancy a quick one down the Grevious Bodily
Arms? |
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EDDIE: (VO) |
Not there stupid! Put it in the middle. |
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DOUG: |
Yeah -- with me as well. I'll come too. |
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CLITTY: |
I've got to help Eddie with his holiday slides. |
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EDDIE leers into a camera. |
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EDDIE: |
Holidays! Ha ha ha. Get it working you
bastards.
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LIONEL: |
How about the interval? |
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DOUG winks at the camera again. |
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EDDIE: |
(To camera)
Hello. Holidays are mostly boring for me.
If you go to the Norfolk Broads and you get
on a boat, then you have miles and miles of
wasteland between each pub. That's one
kind of holiday. Some holidays like mountain
climbing in Wales, you never get a decent
reception on the telly. So I hate holidays
like that and always go to Clapham Junction
for my holidays now, and I stay with Sinky
de Brink. We like to de-rail a few trains
and have a good laugh. However, you get
bored though doing the same thing every year
don't you? Well, you do. This year I got
myself interested in aeroplanes. Sometimes
aeroplanes will crash for no reason at all.
So for this year's holiday, I went to Heathrow
Airport on the off chance. |
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He turns to the others. VAG in the meantime has been
propping the slide projector up with telephone directories. |
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Ready! Go! |
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EDDIE presses the remote control button. A picture of
Heathrow Airport appears on the screen. |
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Ha ha ha! heathrow Airport, International and
seemingly safe. |
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PICTURE 2. |
The road tunnel entrance to Heathrow. |
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This is the entrance to Heathrow Airport.
Gateway to the world's Duty Free Shops. |
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PICTURE 3. |
EDDIE leaning against the information desk
talking to a girl behind it. |
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This is the information desk. And that's
a woman that I'm asking if there's been any
crashes today. But there isn't. |
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PICTURE 4. |
EDDIE on balcony with binoculars. |
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Here I am in the Queen's Building watching
the runway in the hope of spotting tell-tale
skid marks or bits of wreckage left behind in
the smoke and chaos. |
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PICTURE 5. |
EDDIE drinking at a bar. The barman is
watching him.
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Bit quiet around here isn't it, I'm saying to this barman. |
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PICTURE 6: |
EDDIE whispering in barman's ear and waving a pound note. |
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This is me whispering to him and offering him money if he can tell me where I can get some souvenir wreckage. |
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PICTURE 7. |
BARMAN telling EDDIE to fuck off. |
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I don't think he knew anything. |
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PICTURE 8. |
EDDIE putting a packet of cigarettes in his pocket. |
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This is me stealing some fags. |
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PICTURE 9. |
EDDIE under a clock |
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This is the main airport clock. This clock goes non stop for twenty four hours and is looked at by people of all nationalities. |
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PICTURE 10. |
EDDIE smoking. |
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Still no luck so far. |
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PICTURE 11. |
EDDIE at the Lufthansa desk doing a Nazi salute. |
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Here I am chatting up some German girls. |
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PICTURE 12. |
EDDIE drinking at the bar. |
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Time for a break. |
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PICTURE 13. |
EDDIE listening to an airplane pilot's heart and giving a thumbs up. |
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This is an aeroplane pilot with a possible heart condition. |
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PICTURE 14. |
EDDIE poking the pilot in the eye with his finger. |
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Here I am trying to wind him up and bring on a heart attack. |
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PICTURE 15. |
EDDIE fleeing down the escalator. |
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Who is that hunk. It's Eddie Monsoon. Amateur Disaster Enthusiast... Ha ha ha.
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PICTURE 16. |
Middle East businessman with briefcase. |
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This is an Arab with a bomb. |
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PICTURE 17: |
Plane taking off. |
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And this is the plane he took off in. |
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PICTURES 18/19/20: |
The same place [sic] at different stages off [sic] take-off. |
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PICTURE 21: |
The plane is a speck in the sky. |
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This is the same plane safely in the air. What a let down. |
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PICTURE 22: |
EDDIE in the bar. |
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This is me getting pissed again. |
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PICTURE 23: |
EDDIE outside ladies toilet. |
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And hanging around outside the ladies toilet. |
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PICTURE 24 |
A corridor. Security guard in foreground. |
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Down that passageway is where they keep the Duty Free. Ha ha. |
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PICTURE 25: |
AIR HOSTESS coming out of the ladies toilet. EDDIE is talking to her. |
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How many near crashes have you been in, I'm asking this pretty air hostess from Uganda. |
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PICTURE 26: |
Plane on the runway. |
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Another plane that didn't crash land. |
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PICTURE 27: |
A crowd of people waiting with signs like 'Embassy Hotel', 'Greenway Tours', 'Upton College' etc. |
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These are people touting for business from passengers who are tired and emotional. |
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PICTURE 28: |
EDDIE (in crowd) with placard saying: 'Go down on Eddie tours.' |
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PICTURE 29: |
EDDIE is talking to a girl with a huge rucksack. He has his arms in the air. |
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This is Jean from Sheffield, who is about to fly to Teneriffe. Her first time in an aeroplane. She is very nervous. Here I am telling her about the famous air crashes there.
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Hidden Archive: Back To Normal With Eddie Monsoon |
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© 1983 Edmonson, French, Planer, Richardson, Richens and Saunders | |
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