RAFELSON
Alright, that's enough, that... cut it. Print it, please. (STUDIO BELL RINGS) Is this it? Alright, that should be it.
VOICE
Okay....
VOICE
Yeah.
RAFELSON
I think we're on another set, aren't we...?
PETER
Hey Bob, that's not right, man. Y'know, about hitting a girl...
JON ANDERSON
(herding the extras off the set) ...over there.
PETER
Hey, Ace, was that alright, man? Did that look good?
ACE
I thought it looked great!
NICHOLSON
Hey Bob...
PETER
Yeah, but about hitting a woman and everything.
ACE
Nah...
PETER
Man, it's about the image and everything, it's not right.
ACE
No!
MAN
Peter, I hate to interrupt but...
PETER
Yeah, I know, it's for your niece, it's quite alright. What's her name?
VOICE
Before...
MAN
Mary.
RAFELSON
...but we're on another set at this point, aren't we...?
ANDERSON
Right, fellahs, let's move over to the right. .
MAN
Thank you.
ANDERSON
Peter, you gotta...
PETER
Jon? Jon, was that right, man?
DENNIS HOPPER (OFF)
Bob?
ANDERSON
Yeah, fine...
PETER
Jon, that's not right.
ANDERSON
You gotta make a w...
HOPPER (OFF)
Bob?
RAFELSON
Hey, can you move onto Stage 5?
HOPPER (OFF)
Bob? Look at me, Bob...
VOICE (OFF)
Stage 5...
PETER
It has to do with...
ACE
I'll see ya later, Peter... (he leaves)
PETER
Dammit, it's a kid's...
HOPPER
(Now in shot, to Rafelson) ...when you have a minute? When you have a minute...
PETER
Bob, it's a movie for kids - they're not gonna dig it, man...
ANDERSON
Just gotta make a wardrobe change, man.
PETER
Tell Gene to put my clothes in the...
ANDERSON
(calls) Gene Ashman, get the wardrobe ready?
Rafelson beckons softly to Peter
JACK NICHOLSON
(to Rafelson) What's wrong?
RAFELSON
(reassuring) It worked, it worked, it worked...
Nicholson leaves
PETER
No it's doesn't... it's not right... no, Bob, it's for the image, man, think of it. The kids aren't gonna dig it, man - me hitting a girl! Especially the way I feel about violence and all that stuff. y'know?
RAFELSON
Alright, well...
PETER
You're not gonna...
RAFELSON
We'll cut it out of the film. If it doesn't work, we'll cut it out of the film. C'mon. C'mon...
PETER
Yeah, well you tell me that, man and it never happens. They tell me it...
ANDERSON
Peter, let's go. We gotta get on with the other set. Hurry up, Pete.
PETER
Davy, did that look alright, man?
DAVY
What?
PETER
Well y'know, hitting a girl and...
DAVY
Sure, sure, it was great. Great. Terrific. Terrific.
PETER
(to Davy's girlfriend) You felt so?
She exits, ignoring him
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