|
Now for the bad news. In replacing Page 15 with a note explaining that Pages 16 to 29 were to be omitted, the first page of the missing sequence was cast away forever, losing us the opportunity to review Shots 60 and 61 (and the first part of Shot 62) in the process. As such there's no way of telling how the previous concert sequence would have linked to what follows, or indeed how the missing scene actually begins.
There are no 'Revised' or 'Added' pages throughout the whole sequence, so it's probably safe to assume that the whole thing was present in the original 'first draft' of December 1967.
Despite the missing page, we can at least set the scene for you. As we join the action, it's pretty clear that:
a) The Monkees find themselves in Japan.
b) They have just encountered a woman called Toshiko.
c) Toshiko speaks no English.
d) She is terribly distressed about something.
Now read on (see you in fourteen pages time)...
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#8888 |
| 16 |
|
62 |
CONTINUED:
| 62 |
|
| |
MICKY
What for?? Show her we're friendly??
Meanwhile she's running and screaming
in the weeds.
| | |
|
|
They sit. She passes through them cautiously. Then, she
continues running about ten feet. She turns around abruptly
and runs back to where Davy is seated...falls to her knees and
breaks up completely.
| |
|
| |
TOSHIKO (IN JAPANESE)
Excuse me. I did not trust you.
I am running from the castle. Soldiers
pursue. Help me...please.
| | |
|
|
During this, the Monkees have risen. Except Peter.
| |
|
| |
DAVY
What do you make of it?
MIKE
She's obviously Japanese.
PETER (IN JAPANESE)
Excuse me...we are Americans. What
is it that...uh...bothers you?
(in English)
What's up?
| | |
|
|
Davy tries to help her get up. She remains, eyes to the
ground...telling her story.
| |
|
|
TOSHIKO (IN JAPANESE)
Soldiers come. Capture my father. The vassal, Godzilla...
| |
PETER (IN ENGLISH)
Soldiers come. Capture
my father. The vassal,
Godzilla... |
| |
|
| |
DAVY, MIKE, MICKY
Godzilla?!?
| | |
|
|
The three of them take off in different directions...banging
into each other.
| |
|
|
TOSHIKO (IN JAPANESE)
This evil man, Godzilla
| |
PETER (IN ENGLISH)
This evil man, Godzilla...
It's a man, fellas... |
| |
|
|
Other Monkees settle down to listen.
| |
|
|
TOSHIKO (IN JAPANESE)
Has taken over our house... and has my father prisoner... They plan on...
(she bursts out crying)
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PETER (IN ENGLISH)
He's taken over our house and has her father prisoner...They plan on...
(Peter bursts out crying)
|
| |
| | |
| |
#8888 |
| 17 |
|
63 |
ANGLE
Micky and Mike begin to comfort Peter who is totally carried
away in the same fashion as the girl.
| 63 |
|
| |
MICKY AND MIKE
Easy. Take it easy. It's going
to be all right.
DAVY
They're going to kill your father.
That's awful.
MIKE
Careful now, Davy. No snap decisions.
DAVY
What do you mean?
MIKE
Well, I mean, like we don't really
know her father.
DAVY
What's that got to do with it?
Don't worry. We'll help.
MIKE
You made a snap decision.
MICKY
Yeah and how about Peter. He's
a complete slobbering dumb-dumb.
MIKE
It may take him...oh, two, three weeks
in the mountains to recover.
DAVY
Listen fellas...we can't just pass
on by this poor girl, like nothing
happened.
MICKY
We know, we know, but why can't
we just pass the girl by like
nothing's happened? Ever ask
yourself that?
DAVY
Many times.
MIKE
(with a flourish)
Okay, then...
| | |
|
|
He crosses and bows to the girl. | |
| | |
| |
#8888 |
| 18 |
|
63 |
CONTINUED
| 63 |
|
| |
MIKE
(continuing)
Mike!
TOSHIKO
(bowing)
Toshiko.
PETER
(like her, bowing)
Toshiko.
| | |
|
|
Micky pokes him.
| |
|
| |
MICKY
Your name!
PETER
(bowing)
Oh. Peter.
MICKY
(bowing)
Micky.
DAVY
Davy.
| | |
|
|
Toshiko utters a Japanese titter, embarrassed, behind her hand,
because she loves him.
| |
|
| |
TOSHIKO
Davy.
DAVY
Now, which way do we go?
| | |
|
|
She points off but as they start to move, 50 Japanese WARRIORS
appear...simultaneously from behind trees.
| |
|
| |
MIKE
Let's take the long way round...
| | |
|
|
They turn and another 50 appear.
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|
| |
MICKY
What a place for a hot dog stand.
| | |
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CUT TO: | | |
|
INT. CELL - DAY |
|
64 |
It is an impregnable, dark, dark dungeon. The CAMERA SLOWLY MOVES past the Monkees, who are shackled to the wall. | 64 |
| | |
| |
#8888 |
| 19 |
|
64 |
CONTINUED
| 64 |
|
| |
Stopping on Mike.
| |
|
| |
MIKE
O.K. fellas...now here's
my plan.
| | |
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CUT TO: | | |
|
INT. MEETING ROOM - DAY |
|
65 |
SLIDING DOOR
It snaps open. The Monkees are pushed in...land on tatami floor
of a large room.
| 65 |
|
66 |
ANGLE - GODZILLA
A fierce looking Samurai. Behind him sit 20 MEN, angling out
behind him like a pyramid...throughout this scene, every time
GODZILLA moves, the 20 men move in unison.
| 66 |
|
| |
GODZILLA
(all mean)
Who are you?
MIKE
Travelling salesmen.
GODZILLA
Please to give proof.
MICKY
When wine, women and song are
too much, give up song.
| | |
|
|
Monkees break up. Japanese do not.
| |
|
| |
PETER
You never know how a girl will
turn out 'till her folks turn in.
| | |
|
|
A loser.
| |
|
| |
DAVY
Pierre, the passionate masseur
was fired when he rubbed a lady
client up the wrong way.
| | |
|
|
Toast.
| |
|
| |
MIKE
A man has reached old age when
he can't take "yes" for an answer.
| |
| | |
| |
#8888 |
| 20 |
|
66 |
CONTINUED:
| 66 |
|
|
One soldier smiles faintly and is instantly skewered by
Godzilla...without so much as a look. The soldier remains
seated and smiling throughout the scene.
| |
|
| |
GODZILLA
What do you sell?
| | |
|
|
Mike rises and moves toward the trunk, all eyes but one
follow him.
| |
|
| |
MIKE
If you will allow me, I'll show
you our line, so to speak.
| | |
|
|
Godzilla nods his assent and Mike opens the trunk and takes
a pair of pajamas, which he holds up.
| |
|
| |
MIKE
Here is...
GODZILLA
Umph?
MIKE
For sleepy-bye...
GODZILLA
Sleepy-bye??
| | |
|
|
Mike seeing pajamas are getting it, throws them to Micky,
dives into the trunk and comes up with...
| |
|
| |
MIKE
Here's a dandy little item...
ear muffs.
| | |
|
|
Mike puts them on to demonstrate
| |
|
| | | | |
|
|
Mike doesn't hear.
| |
|
| |
GODZILLA
(continuing)
Give!!
DAVY
Uh...Mike...he wants...wants...
| | |
|
|
Mike looks at him blankly.
| |
|
| |
MIKE
Not much use around here
actually.
| |
| | |
| |
#8888 |
| 21 |
|
66 |
CONTINUED: (2)
| 66 |
|
|
Two soldiers move swiftly. Grab Mike by the ankles and render
him upside down. Godzilla grabs the earmuffs as Mike's head
swings by. He puts them on. Smiles. All soldiers smile.
Mike is still upside down...swinging forward and backward.
| |
|
| |
GODZILLA
Ha...ha...travelling salesmen.
| | |
|
|
Godzilla stands. All warriors stand. Mike is set right side
up. Godzilla exits. All exit. Monkees gather around Mike.
| |
|
| |
DAVY, PETER, MICKY
Hey Mike -- you did OK. I think
we convinced him...etc.
| | |
|
67 |
ANGLE
Monkees turn to see one soldier, still sitting, smile
on his face. Dead. He topples.
| 67 |
|
CUT TO: | | |
|
INT. BATH - NIGHT |
|
68 |
The Monkees are sitting in steaming hot water.
GEISHA GIRLS bathe them, all a-giggle. Peter floats
on his back, spitting water, etc.
| 68 |
|
| |
DAVY
Hey, listen you guys. Remember why
we came here?
MIKE
I remember.
PETER
I remember.
MICKY
I remember.
DAVY
O.K. then. Pass the soap..
| | |
|
CUT TO: | | |
|
INT. LARGE ROOM - NIGHT |
|
69 |
The girls are entertaining the Monkees, singing, dancing
toasting with Sake. Monkees now in Japanese kimonos. As
girl with classical high pitched voice finishes singing...
Over their applause.
| 69 |
| | |
| |
#8888 |
| 22 |
|
69 |
CONTINUED:
| 69 |
|
| |
DAVY
I'm gonna take a look around.
MONKEES
OK babe...see ya!
| | |
|
|
He opens sliding door. A face appears, hideous WARRIOR.
Door slams on Davy's nose. He takes a few steps back
in room.
| |
|
| |
MONKEES
Hey, babe. What'd you find?
DAVY
Me nose has been damaged.
MIKE
(locked in drink clasp)
Yes it has. Have a snort.
| | |
|
|
Davy now takes some sake and drinks it down. Then passes
out. Girls shriek. Doors fly open. GUARD appears.
| |
|
| |
GEISHA
(to Guard)
Davy...too much sake.
| | |
|
|
Micky and Mike pick Davy up. Guard stiffens as they approach.
| |
|
| |
MIKE
(gassed)
Back, back! I say...man with a
damaged proboscus here, you fool.
| | |
|
|
Guard pushes Mike and Micky back. Allows Davy to pass.
| |
|
INT. CORRIDOR - DAY |
|
70 |
SERIES OF CUTS
Davy slightly stoned, wandering around corridors of house.
Finally he sees room outside of which another GUARD sits.
Davy smiles.
| 70 |
|
| |
DAVY
Uh...good evening...
GUARD
(jumps up)
Hi!
DAVY
Hi...
| |
| | |
| |
#8888 |
| 23 |
|
70 |
CONTINUED:
| 70 |
|
| | | | |
|
|
Davy is startled at the shouting. He decides on another
approach. He bows. The guard bows. Seesaw style. Davy
bows. The guard bows. Davy is slow on the rhythm. His head
bangs into the guard's. And he's out!
| |
|
CUT TO: | | |
|
EXT. COURT - DAY |
|
71 |
Godzilla is training his men. All kinds of demonstrations of Bundo, Karate, Judo, Swordsmanship, etc.
The Monkees are watching, Godzilla deftly handles several
men in a sword duel and with a flourish, puts sword in scabbard
and turns to Monkees.
| 71 |
|
| |
GODZILLA
So salesmen. You go today.
MIKE
Oh, that's all right...
We're in no hurry.
| | |
|
72 |
DAVY'S POV
ZOOM across the court - Davy sees Toshiko sitting in a room...
Just before sliding door closes...
| 72 |
|
| |
DAVY
Say, isn't that the girl...
GODZILLA
Do not trouble yourself over
women. This (meaning sword)
is friend enough.
MIKE
(sotto voce to Micky)
He's hung on swords.
MICKY
How's about teach us some of that
stuff - we're not due back in
Missouri 'til the weekend.
PETER
Missouri?
| | |
|
|
Mike nudges Peter.
| |
|
| |
MIKE
Yeah, time we learned how to
defend ourselves.
| |
| | |
| |
#8888 |
| 24 |
|
72 |
CONTINUED:
| 72 |
|
|
Godzilla shakes his head dubiously. Davy has trunk open.
| |
|
| |
DAVY
Tell you what - you can have
all our stuff in the trunk...
shaving mugs, mustard plaster,
earmuffs...
| | |
|
|
Davy throws him earmuffs, Godzilla smiles...then laughs
hysterically. Walks away, leaving Monkees confused. Suddenly
Godzilla spins, flourishes sword, returns it to scabbard.
| |
|
| |
MIKE
Swords and earmuffs...
Can't figure 'em...
| | |
|
|
Godzilla can't hear a thing.
| |
|
INT. HOUSE - DAY |
|
73 |
Toshiko sits a mute captive in a small room. She is
bound in rope. CAMERA TRAVELS past partition to next room.
Her FATHER, a very old sagging-jawed man, funny looking shogen
is also tied up.
| 73 |
|
| |
TOSHIKO (IN JAPANESE)
Papa...papa?
PAPA (IN JAPANESE)
Be brave my child.
| | |
|
CUT TO: | | |
|
74 |
TRAINING SCENES - VISUAL COMEDY
Davy learns swordsmanship
| 74 |
|
75 |
ANGLE - PETER
Peter learning Judo.
| 75 |
|
76 |
ANGLE - MICKY
Micky learning karate.
| 76 |
|
77 |
ANGLE - MIKE
Mike learning archery. During the above, Davy slips away.
Goes under the building which is typically raised above the
ground. CAMERA TRAVELS laterally as he tries to find Toshiko.
Finally he pops up the tatami flooring.
| 77 |
| | |
| |
#8888 |
| 25 |
|
INT. ROOM - DAY |
|
78 |
Wrong room. Davy comes into room and here guards are
getting drunk. As one lifts sake -- the whole tatami mat
goes up. Davy, with mat balanced on his head, can see guards
folded knees. He slowly lowers his head.
| 78 |
|
CUT TO: | | |
|
79 |
PAPA'S ROOM
Davy's head comes up through the floor. Papa stares at mat
as it comes up. Then as Davy is eye level with him, papa
faints dead away.
| 79 |
|
CUT TO: | | |
|
80 |
UNDER HOUSE
Davy enters Toshiko's room...replaces mat. He starts to
untie her.
| 80 |
|
| |
DAVY
Come on. We're leaving.
TOSHIKO
We cannot.
DAVY
Come on...the guys are waiting.
TOSHIKO
No!!
| | |
|
|
In Japanese, Toshiko is protesting and crying with her head
at ground.
| |
|
| |
DAVY
Don't worry...we can crawl under.
TOSHIKO (IN JAPANESE)
(sobbing at length)
No!
| | |
|
|
Davy pulls out conversation book.
| |
|
| |
DAVY
Wait a minute. Slower, ah...I see...
You...cannot...come...into...room
with...shoes...on. Oh, sorry about
that...come on now!
| | |
|
|
And he pulls her sobbing from the room.
| |
|
81 |
BELOW
They crouch under the house. Davy whistles to Monkees.
| 81 |
|
CUT TO: | |
| | |
| |
#8888 |
| 26 |
|
82 |
ANGLE - MONKEES
Mike, Peter and Micky are being attacked (practice) by three
hulking warriors. Just as the back up to the wall of the
court, they stop pursuers. Japanese look confused. Three
roundhouses are let fly. the pursuers go down. They scale
the wall.
| 82 |
|
CUT TO: | | |
|
EXT. HOUSE - DAY |
|
83 |
Near the weeds. As they come over the wall, Davy is
already there. Toshiko is on his back. They run to the
fields, Davy huffing like crazy.
| 83 |
|
CUT TO: | | |
|
EXT. WOODS - DAY |
|
84 |
As they race through the trees, back to the clearing.
All the while, Toshiko is screaming and beating on Davy.
In a running shot, just as they enter the building:
| 84 |
|
| |
DAVY
(running)
Hey, Peter...what's she yelling
anyway?
PETER
(running)
Says we have to go back.
| | |
|
|
They all stop. Toshiko is still on Davy's back. (shoulders).
| |
|
| |
DAVY
Says what?
PETER
...go back...to get her father.
| | |
|
|
Davy looks up at her.
| |
|
| |
DAVY
Go back...to get her...
MIKE
Father!
| | |
|
INT. HOUSE - DAY |
|
85 |
Godzilla and his men are running frantically through
corridors. They fly past guard of a previous night - open
door to Toshiko's room.
| 85 |
| | |
| |
#8888 |
| 27 |
|
INT. ROOM - DAY |
|
86 |
As the door slides open. Empty.
| 86 |
|
INT. CORRIDOR - DAY |
|
87 | | 87 |
|
| |
GODZILLA (IN JAPANESE)
Gone!
GUARD (IN JAPANESE)
But how?
| | |
|
|
Godzilla stabs him to death. Runs down corridor, sword
out, flings open papa's door and into room.
| |
|
INT. PAPA ROOM - DAY |
|
88 |
Godzilla rushes in, sword out. CAMERA BEHIND Papa.
Sword goes right to point of Papa's neck.
| 88 |
|
| |
GODZILLA
(to men behind him)
Find them!
| | |
|
89 |
OMIT
| 89 |
|
CUT TO: | | |
|
EXT. WOODS - DAY |
|
90 |
The Monkees are, as they say, up a tree
| 90 |
|
| |
MIKE
...before they find us...
| | |
|
|
Pull back to see the Monkees in different branches. Toshiko
is in the field beyond...a decoy. And a band of 20 soldiers
is searching. they see her. Halt! They run wildly for the
clearing.
| |
|
91 |
C.U.
Only it's Micky, who now runs in her kimono, drawing the
troops. Micky yells in high pitched voice. As the troops
go under a tree, Monkees swing out - land on three of them.
Do them in.
| 91 |
|
92 |
TROOPS
Running, stop to look around. Leader turns, all men turn.
| 92 |
|
93 |
REVERSE ANGLE
Mike, Peter and Davy are all in warrior clothes. They point
| 93 |
| | |
| |
#8888 |
| 28 |
|
93 |
CONTINUED:
| 93 |
|
|
to Toshiko, her back is seen in the distance. They start
running towards her.
| |
|
94 |
ANGLE
Troops running to CAMERA. Peter, Davy and Mike are slowing
down as the others pass by the CAMERA.
| 94 |
|
95 |
REVERSE
They are almost on Micky, who now gets up from mock fatigue
and sticks his fingers in his ears and his tongue out. The
Japanese all stop, startled. They all look backwards, just
in time to see:
| 95 |
|
96 |
ANGLE - MIKE, DAVY AND PETER
with a large pole in their hands, bearing down on them. Micky
bops them from behind, running down the length of the pole.
| 96 |
|
97 |
ANGLE - HUGE TREE
Toshiko, dressed as Micky, screams.
| 97 |
|
98 |
ANGLE - NEW SOLDIERS - 50
As they swarm around the tree, they start climbing up. She
climbs higher. All of them go up. She goes higher. They
go higher.
| 98 |
|
99 |
BOTTOM OF TREE
In a nonchalant pose, Mike and Peter are two men sawing tree.
| 99 |
|
100 |
ANOTHER TREE - DAVY
Tarzan style, swoops across and picks up Toshiko. He lands
on the ground.
| 100 |
|
101 |
FIRST TREE
Japanese look down just as the tree is sawed. They all go
down with a crash. Peter and Micky and Mike nonchantly [sic]
bop them on heads with prop hammers. The Monkees survey the
troops. Toshiko is crying.
| 101 |
|
| |
MIKE
Don't say it. You're
Homesick.
| | |
|
CUT TO: | |
| | |
| The Monkees - Head - 'Changes' | |
| |
|